5.

(A)Contrary to

(B)Instead of

(C)Regardless of

(D)Thanks to

6. They originate 6 from intentionally manufactured for industrial use or from larger plastic waste broken down by sunlight, weathering or wave action.(A)above(B)both(C)either(D)neither

7. Research indicates that synthetic fabrics, like polyester or nylon used in activewear, 7 thousands of “microfibers” during one single laundry cycle.(A)fused(B)lured(C)shed(D)vowed

8. Once microplastics enter the ocean, they are not mere trash but become 8 “disguised food,” causing damage to not only marine life but also humans.(A)deadly(B)refreshed(C)scholarly(D)withered

9. Recent scientific studies have detected microplastics in human placentas, blood, and lung tissue, 9 can lead to serious health problems to people.(A)that(B)this(C)what(D)which

10. Microplastics are a mirror 10 the consequences of our “throwaway culture.”(A)absorbing(B)deserving(C)reflecting(D)suspending

11. conventional paintings that capture a single frozen moment, time-based media art invites viewers to watch, listen, or interact over a period of time.(A)By means of(B)In contrast to(C)On behalf of(D)With regard to

12. The 12 of this approach can be traced to experimental work in film and performance during the 1960s.(A)ally(B)corridor(C)hazard(D)origin

13. Since then, a wide range of practitioners 13 these ideas in innovative directions.(A)extend(B)are extending(C)will extend(D)have extended

14. the room’s pattern 14 changes as people enter and leave.(A)constantly(B)fragilely(C)politically(D)reluctantly

15. Other projects turn toward cognition, concentrating on memory reconstruction for individuals with dementia or Alzheimer’s disease. Through interactive imagery and sound, those patients are invited to reconnect with fragmented personal memories. Similarly, some experimental theaters and cultural parks in Taiwan combine overlapping digital projections and responsive sounds 15 stories drawn from markets, lanes, and festivals.(A)at(B)in(C)on(D)with

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